CANDIDATES FOR THE EXECUTIVE COMMITTEE
Candidate for the Position of President
Sue Giles AM – ASSITEJ Australia / Theatre Network Australia
Sue Giles has a life time career in the theatre arts, working in communities, schools and theatres across Australia and internationally. She was Artistic Director and Co-CEO of Polyglot Theatre, creating over 45 works for the company in her 22 year term, including several international collaborations and cross cultural processes within Australia. Her distinct process centring children as co-creators and participants has been the subject of conferences and workshops nationally and internationally. Her award-winning works have been performed in 20 countries on five continents. In 2018, Sue received the Green Room Lifetime Achievement Award and authored a Platform Paper titled Young People and The Arts: An Agenda for Change. In 2019, she was appointed Member of the Order of Australia (AM) for her significant service to the performing arts as an artistic director, and to theatre for children and was awarded a Creative Australia Fellowship for her advocacy work. Sue works with artists to develop new work for young audiences, directing, writing theory, strategic planning and global advocacy for furthering the performing arts practice in the field of children’s theatre in the world.
Motivation of the Candidate
I have worked as an Executive Committee member since 2014, serving as Vice President from 2017 and as President from 2021. I am deeply committed to the aims and ambitions of ASSITEJ and the dedication and passion of its membership. I want to continue to be involved because I see that the work we do as a global network has impact, creates change and enables inclusion of artists and audiences everywhere: the importance of unity and of cultural inclusion is greater than it ever was. I am continually fascinated and awed by the artistic practice our global network shares, by the way members support and care for each other, by the courage shown by so many, by the multiple contextual challenges we face. ASSITEJ Executive committee is a board of great imagination and broad collective experience who together serve the goals of the Association and it has been my privilege to lead in these times of enormous change.
Profile of the Candidate
For the President position, it is important to have a practical and procedural view of the work including knowledge of the constitution and how this relates to the desired action and objectives of the network. As well as this the President must see the big picture; looking to the future and being aware of the needs of the members; seeing opportunities and connections; seek ways to have ASSITEJ International at the centre of cultural dialogue anywhere in the world; raising the value and recognition of artists and audiences in theatre and performance for children and young people everywhere. I hope I bring a sense of collaboration to the Executive Committee, in the spirit of working with everyone’s strengths and openness to the wisdom that each person brings. I know my own learning curve is constant, my curiosity is endless and I have reliance on my colleagues, knowing the commitment that people bring to this position of responsibility and trust.
Candidate for the Position of Secretary General
Louis Valente Sørensen – ASSITEJ Denmark
Louis Valente Sørensen is the current Secretary General of ASSITEJ (elected at ASSITEJ World Congress in 2017 and again in 2021). He has been working in the office of ASSITEJ Denmark as staff member and later as the Executive Director from 2013 until 2023. The educational background consists of a master’s degree in philosophy and cultural encounters. He is raised in the world of TYA and has been involved as actor, translator and tour manager before entering ASSITEJ. Louis is married to a Cuban actress with whom he has two children. He speaks, reads and writes – besides his Danish mother tongue – Spanish and English.
Motivation of the Candidate
ASSITEJ International is undergoing big changes with the increase in staff members, level activities, and influence on political levels. My main motivation is to lead the Association safely through the challenges this transition includes, and to really get the most out of the momentum and the possibilities it gives us. To make sure that the culture and “spirit” of ASSITEJ as a movement of grassroots and cultural activist takes the “front seat” and is multiplied, diversified, and nurtured by a professionalised secretariat. An important ambition is also that an increased part of the international activities of ASSITEJ are designed in a way so that they help the National Centres to be stronger and more efficient in their national context because most of the funding for TYA and the political framework for children’s access to culture is created nationally. Another ambition is to use the political influence ASSITEJ is now achieving in the EU to initiate the same in other regions of the world. At the congress in Cuba, we are seeing political synergies among the Iberoamerican countries, but we are still to expand this to African, North American, Asian and Pacific regions.
Profile of the Candidate
The workload and pace of ASSITEJ is high and demanding and has given me administrative skills, and a profound knowledge about the membership, that I will bring into the next three years. Since 2021 I have also gained significant knowledge about applying for and administering funds from the European Union (Creative Europe), and on how to engage in policy development in the EU. I strive to be diplomatic and to bind the very different persons, national and regional contexts and organizational structures that are in ASSITEJ together. In communication with members and in the realization of ASSITEJ activities I seek to listen and finds ways where the cooperation can be most productive always respecting the central elements in our constitution and philosophy.
Candidates
Jerry Adesewo – ASSITEJ Nigeria
Jerry Adesewo is a writer, theatre producer/director, festival director, and cultural administrator. He is Founder and Artistic Director of Arojah Royal Theatre. He is the festival director, for the Korea-Nigeria Poetry Festival, Abuja Children Theatre Festival, and the Abuja International Theatre Festival and Awards. He serves as adjudicator for the Hadiza Ibrahim Aliyu Schools Festival, and the National Festival of Arts and Culture. He has written for NEXT Newspapers, Guardian Newspaper, Trust Newspaper, National Mirror, Newscalabash, Metropole Magazine, City Pages International Magazine, Korean Times, The Enlightener Magazine, and is currently a member of the Editorial Board of Our Nigeria News Magazine and Our NigeriaTV24 He is currently the National Director of Media and Publicity, the National Association of Nigerian Theatre Arts Practitioners (NANTAP); North Central Coordinator, ASSITEJ Nigeria Centre; Board Member/Nigerian Champion, International Inclusive Arts Network (IIAN); Jerry has 3 poetry publications as editor and co-editor: Womb of Peace (an anthology of Japanese Haiku poems), We Are the One and From Here to There I & II.
Motivation of the Candidate
As an established theater producer, artistic director, and cultural advocate deeply rooted in Nigeria and Africa’a arts community, I seek involvement in ASSITEJ’s Executive Committee to advance youth and children’s theater globally, and especially on the African continent. With 20 years of experience founding Arojah Royal Theatre and spearheading productions, I understand the transformative power of the performing arts for young audiences. My leadership roles in organizations like ASSITEJ Nigeria, ASSITEJ Africa, International Contemporary Performing Arts Network (IETM), National Association of Nigerian Theatre Arts Practitioners (NANTAP) and IIAN, equip me to uphold ASSITEJ’s values of inclusivity and artistic excellence. I aim to amplify marginalized voices, forge partnerships for international theater exchanges, and advocate for inclusive arts education policies. My dedication to youth empowerment through the arts aligns perfectly with ASSITEJ International’s mission, and I am committed to contributing meaningfully to its global initiatives.
Profile of the Candidate
As a seasoned theater producer, artistic director, and cultural administrator deeply entrenched in Nigeria’s vibrant arts scene, I bring a unique set of skills and interests that align with the goals of ASSITEJ’s Executive Committee (EC). With extensive experience in project management, media outreach, and cultural advocacy, I am well-equipped to support the EC’s working plan. My background in organizing theatrical productions and managing cultural exchange programs both physically, and virtually, demonstrates my ability to coordinate initiatives efficiently and foster inclusivity within the arts community. Additionally, my leadership roles in various cultural organizations highlight my capacity to collaborate effectively with diverse stakeholders and facilitate community engagement. I am passionate about promoting youth and children’s theater on a global scale and I am committed to leveraging my expertise to advance ASSITEJ’s mission of cultural exchange and artistic excellence. With a focus on communication, advocacy, and partnership-building, I am eager to contribute to the EC’s efforts and make a meaningful impact on the global theatre community.
Irene Borges Lara – ASSITEJ Cuba
(Havana, 1977) Graduated in Theater Direction and Dramaturgy at the University of the Arts of Havana. Founded Teatro Aldaba in 2008 where she writes and directs plays dedicated mainly to young audiences. From her own headquarters she works as a cultural activist for the community. She has participated in international tours and festivals in several countries in Latin America and Europe. She has received numerous awards, including the 2003 Villanueva Award, which is the highest recognition by Cuban critics, and a nomination for the Estrella de Mar Award in 2005 Mar del Plata. As president of ASSITEJ Cuba (2019-2023) she participated in the ASSITEJ Uruguay Festival, where she proposed Cuba as the venue for the XXI World Congress, naming it Voices of a New World and dedicating herself to its organization. She was invited by ASSITEJ to participate in the 2019 Visioni Festival in Italy and to ASSITEJ Artistic Meeting at the BIBU Festival in Sweden. She’s currently a professor of Theater Direction at the Arts University and a professor of Performance Art at the National Academy of Visual Arts. She’s President of the Stage Directors of the National Union of Writers and Artists.Motivation of the Candidate
I feel a great commitment to young audiences. Working for them as a cultural activist is participating in building a better world. ASSITEJ is the way to do it. In the years in front of the ASSITEJ Cuba I met a great family, an army united by the vocation to serve the Arts, creators and their audiences.I have seen the International Executive Committee work and was able to verify the values of inclusion and ethics that they defend and the creative force with which they undertake each project. Being a member of the International Executive gives me the possibility of collaborating in the development of the Performing Arts with a greater understanding of current needs at a global level, drawing up strategies collectively and helping in the dramaturgy that guides the work. I will dedicate my efforts to the defense of the rights of children and young people to receive the benefits of Art and the promotion of the Performing Arts in order to provide artists with possibilities for exchange and improvement. I would like to radiate the light of ASSITEJ in the Caribbean and praise the work we do for children and youth.
Profile of the Candidate
I am graduated in Dramaturgy and Artistic Direction. I study a master’s degree in Art training processes. I have experience in cultural policy, administration, project management and facilitation. I have knowledge to execute learning experiences. I have writing and communication skills that allow me to manage the publication creation process with reading, selecting, editing articles and writing reports. At BIBU Festival 2022 I presented the presentation Theater and Sustainability where I shared ways to expand awareness of sustainability through artistic practice. It’s a very important topic for me. I could help by managing exchange with international programs and identifying ways to expand awareness among our members. I am passionate about building alliances between artists and institutions,managing and supervising projects. I would very much like to collaborate in the creation of the agenda of activities guaranteeing the productive participation of National Centers, Networks and other partners.I can work on the development of communication campaigns, create selection criteria, advise and ensure that the requirements of the Policies and Protocols Manual are met.
Yannick Boudeau – ASSITEJ Belgium
Since 2007, Yannick has been working as Producer at Compagnie la Casquette, a Theatre for Young Audience company based in Brussels, Belgium. He is in charge of producing, distributing and the general administration of the company. He also works on developing company partnerships and has worked with a wide range of partners globally. Yannick is co-founder and board member of ASSITEJ Belgium (since 2015) and has been President of the board since 2017. Together with Roberto Frabetti, financial director of ASSITEJ International, he has co-written and co-designed the project Babel or the Art of Listening in Theatre for Young Audiences. Babel is a European large scale cooperation project that involves 22 partners on 6 continents. It has so far permitted dozens of artists all around the world to participate in different workshops and festivals. Yannick has been working in the Performing Arts since 1998 in Poland, France and Belgium.Motivation of the Candidate
My motivation is: 1. To advocate, develop and promote the rights of children to have access to arts to give them a chance for emancipation. 2. To advocate the work of artists and practitioners in the field of Performing Arts for children and young people. 3. To continue the work of the current EC: to reinforce the sustainability and development of the association by searching for additional financial resources for the association, always been on the lookout for new opportunities. 4. To cultivate and share our cultural and linguistic differences, to include more people in the association. 5. To look for ways of collaborating between other artistic disciplines, and networks, looking for moments to sit together and talk. 6. To support the extraordinary ASSITEJ Staff, taking care of their inputs and feedback.
Profile of the Candidate
I like to facilitate, to be the liaison between people, especially when it comes to build something together. I have been used to talking in public, making presentation. I have an easy contact, which I think is important when one is going out there to represent the association. I am always eager to learn, and curious about what is going on in different countries, contexts and cultures. Open-mindedness is one of the key to success for me. I have also acquired a certain knowledge of EU cultural policy via my work as a cultural expert for the EU, and by co-managing the Babel project, and following different other EU projects. At the same time, I don’t want to be EU-centered, because we need everyone in the room to make things happen and move forward. I have also an extensive experience in dealing and coaching artists and other art professionals with their strategic plans and artistic approach, especially in the field of TYA.
Cristina Cazzola – ASSITEJ Italy
Cristina Cazzola is an accomplished cultural producer skilled in strategic networking, mentoring, and fundraising for various institutions and enterprises to promote internationalization and cooperation. With expertise in theatre for young audiences and audience development methodologies for teenagers, she founded and directs Mantua’s Segni New Generations Festival since 2006, renowned in Italy and Europe. Since January 2022, she has overseen activities for implementing Italy’s Capital of Culture 2023 project. She managed political relations and fundraising, linking 890 institutions between across various cultural domains, resulting in 2.500 events in 2023. Within this, she advocated for children’s theater, established a network of 60 entities, and organized family-friendly events. She also supported the creation of digital and analog engagement tools called the “PASS PASS! Cultural Pass for new generations”, distributed through an agreement with pediatricians. Her experience in building networks and peer empowerment, honed through projects like Chain Reaction (to connect TYA festivals globally) and TEEN project disseminating adolescent engagement methods since 2016.Motivation of the Candidate
My motivation stems from my three-year involvement as EC member in AI, , during which I gained insight into its governance structure through the Executive Committee, collaborated on tool implementation, and identified existing challenges. I aim to focus my energy on strengthening connections with national centers. My two years in the Italian Capital of Culture revealed how communication in complex systems can be reinforced and empowered. The significant work accomplished in Italian Capital of culture allows me to dedicate my full attention to AI. Another challenge I’m eager to tackle is the issue of language diversity within Assitej. I believe more efforts should be made to include and bridge language and mobility gaps. I believe there’s a need to connect and enhance the best practices within the Association, requiring both method and time. I’m committed to engage with those who may seem unreachable, be they artists or children. t’s increasingly crucial to foster cooperation among our countries and capitalize on the momentum society is recognizing, advocating for the importance of art in children’s development and sustaining belief in peace.
Profile of the Candidate
My adeptness in managing complex processes has led me to study techniques of self-generative management. Furthermore, my proficiency in designing and facilitating networking processes, based on best practices, can be effectively employed in the diverse content production and practices within the ASSITEJ network. My ability to handle multiple complex processes simultaneously, cooperate with and coordinate diverse individuals efficiently, positions me to be increasingly effective. Having previously worked in the Executive Committee during the challenging times of COVID and having experience in managing a complex project such as European networks and cooperation large scale processes, enhances my effectiveness across multiple levels.Being Italian and not having complete mastery of the English language, gives me insight into the importance of reaching those who struggle by setting specific protocols. While English is the official language, I believe more efforts should be made to include and bridge language gaps, particularly for countries with limited national support and travel capabilities. I learnt how to manage this leading the Italian Capital of Culture programme.
Jon Dafydd-Kidd – ASSITEJ UK
Jon is a Director, Facilitator, Arts Manager & Coach. As Head of Participation with leading Welsh company Hijinx Theatre, he collaborates with neurodivergent (ND) &/or learning-disabled (LD) young people & communities across Wales. Jon: – created & produces Wales’ first ND &/or LD young people’s theatres. He annually directing inclusive, accessible shows for families in Wales’ national Venue, where young performers co-devise & perform alongside an inclusive adult company. – produced an audience development programme to challenge opera companies, and established Wales’ first ND &/or LD young people’s theatre residency programme. It challenges inaccessible professional pathways and develops independence skills for young creatives. – produced and facilitated the award winning Able to Act, an initiative building relationships between Lesotho & Wales, centred around young people & the cultural perception of disability. – is leading on a strand of Neurodiversity & Anti-racism in Welsh Arts (NAWA), developing anti-racism learning tools for ND &/or LD performers & young people. Jon is the ex-chair of IIAN, and is been International Representative for ASSITEJ UK.Motivation of the Candidate
I have been a member of the Executive Committee of ASSITEJ International since 2021, International Representative of ASSITEJ UK and was Chair of IIAN (2018-2022). When I talk about ASSITEJ, it’s so big, many find it easiest to ask, ‘but why do you do it?’, and the answer is easy: ‘Why wouldn’t you want to be an active part of creating a world that is better for children than the one we arrived in? To understand the brilliance of difference, and grow & learn from global collaboration? And to serve something bigger than yourself?’ During my time on the EC, I have conceptualised work which begins to more deeply integrate access and inclusion into our organisation at the core (eg. trialling various models of the Access Committee). But, the work is not one model fits all. I am committed to driving this work forward, building on it. I am ready to not just fly, but soar. I believe in the globalness of ASSITEJ; ensuring rich, sustainable access acknowledging culture, economy, technology and disability. As EC champion for access, my aim is to ensure both, in collaboration with sustainability remain front and centre, at the proud heart of ASSITEJ’s growth and development.
Profile of the Candidate
For the current term, I have been focused on Access and the Networks Working group. Both areas require curiosity, forward planning and facilitation skills (in person and online). If re-elected, I would hope to continue in both areas, and developing the relationships of the Professional Networks with ASSITEJ’s working plan. Inclusion & Access: -Passion for ensuring actions align with aims, outcomes and values -Challenges assumptions and generalisations, particularly in a global setting -Brings knowledge of and on-going relationships with disabled creatives, and building pathways to inclusion -Thrives on collaboration and co-discovery, and ability to ask difficult questions in group settings to find sustainable, positive solutions -Can easily move from big picture to detail; connecting lines of opportunities, balancing ambition and practicalities -Curiosity to ensure motivations, decisions & linked outcomes align with ASSITEJ’s wider aims -Facilitator & Coach: highly experienced in creating space for communication, exploration, play & learning -Straddles the roles of Artist and administrator.
Julia Dina Hesse – ASSITEJ Germany
Julia Dina Hesse has been working as a director, dramaturg and artistic director with national and international theatres, festivals & companies for 15 years. 2018 she decided to leave her position as artistic director of the Young Theatre Muenster to focus on international projects and coproductions (with Japan, Senegal, India, Bangladesh). 2019 she was granted a scholarship in the post graduate program of art mediation Hildesheim-Marseille (PhD topic: Ecological sustainability in content & aesthetics of TYA). Julia is committed to strengthening the visibility and political acknowledgment of TYA and serving as Vice-President of ASSITEJ Germany since 2018. She is in charge of the well-known International Directors’ Exchange, a platform for global perspectives on creating. Since 2024 she represents ASSITEJ Germany on the advisory board of the dance&theatre section of Goethe Institute. In addition to her artistic work mainly dedicated to interdisciplinary performances for the early years Julia is a lecturer at the University of Muenster, co-edited the book “Children’s Theater.Youth Theatre. Future perspectives for a genre.” and published papers in TYA related books and magazines.Motivation of the Candidate
Having been a member of the EC for the past 3 years allowed me to explore and understand the vital structures of our global TYA community. In the NetworksG roup I gained an overview and insight in the potential, needs and interests of our National Centers and International Professional Networks through UmbrellaSessions and in person meetings. It is a core motivation to use this experience to foster and deepen the bonds between ASSITEJ International, Centers and Networks; to create fitting platforms and mechanisms for exchange & cooperation in the coming years between these players & their members. As chair of the SustainabilityCommittee I am thrilled ASSITEJ was granted the first EcoCertificat for Cultural Networks in the EU. I am striving to take this work forward making our learnings in this area useful for our community. I look forward to more learning by sharing our tools and challenges. Sustainability is linked to privileges and global inequality. Taking into account that ecological transformation can only be achieved through social justice I want to look deeper into the cross-cutting possibilites between sustainable actions and our work in access, inclusion&fair collaboration.
Profile of the Candidate
I believe in the importance of our global community of TYA practitioners dedicated to the same vision: to make every child’s right to experience art and culture become a reality. Our audiences and our artists need ASSITEJ as their strong, supportive partner, their loud united voice. I will bring: -the expertise for sustainable transformation processes -my various connections in international TYA networks and cultural and social institutions -a strategic approach to cultural politics&lobbyism -skills in communication, in facilitating workshops and hosting events&conferences -openness, curiosity&compassion for others, my believe in the power of collaboration instead of structural competition -a constant questioning of the so called „given reality“ to inspire other ways of thinking, challenging also my own, often privileged perspective -experience in arts management&fundraising -a capacity for efficient&fast working. I love to think and design in a team, but am also independent, reliable and willing to take responsibility -the ability to quickly familiarize with new contexts& the flexibility to adapt to new groups and working structures -my stirring enthusiasm for our Art&ASSITEJ.
Shoaib Iqbal – Nominated by ASSITEJ Pakistan & PAYPA/ASSITEJ New Zealand
Shoaib Iqbal is an arts manager who has worked as a communicator, non-profit expert, fundraiser, event manager, arts educator and director of arts and culture projects since 2000. He founded The Little Art Pakistan in 2007 and various large-scale national & international festivals. He has led the British Council Pakistan’s national portfolio as Head of Arts and worked as a consultant with international organizations, including UNESCO and the Government of Sharjah, UAE. He post-graduated from DeVos Institute of Arts Management (Kennedy Centre for the Performing Arts, Washington D.C.), holds a diploma in International Development from East Side Institute NY and was a 2009 Endeavour Executive Award holder in Australia, a 2013 Asia21 fellow with Asia Society, Acumen 2015 fellow, 2015 ArtThink South Asia fellow, 2018 EHF New Zealand Fellow and 2020 International Society of Performing Arts Fellow. Shoaib is the founding President of ASSITEJ Pakistan, a member of ASSITEJ New Zealand and an ASSITEJ Executive Committee member. During his EC tenure he has contributed especially to ASSITEJ Communications and activating Asian participation in ASSITEJ for members through many initiatives.Motivation on the Candidate
As an ASSITEJ Executive Committee member from 2018 to 2024, I have had the privilege of collaborating with some of the finest theatre professionals worldwide to build a robust network for children globally. Drawing from my extensive global experience in arts management and working with children and young people through theatre and arts, I am eager to use this expertise to benefit young audiences through ASSITEJ International. The past four years have provided me with a solid foundation and valuable learning experience, allowing me to understand how such a network can operate effectively, and preparing me to contribute even more effectively in the next term. My mission for the upcoming term is to activate members and national centres, with a particular focus on Asia and Oceania, and other regions, to expand ASSITEJ’s reach and impact. I recognize the need for more ASSITEJ national centres in countries where they do not currently exist and am committed to initiating conversations and connections to establish new centres or organizational memberships. I am dedicated to upholding and promoting ASSITEJ’s values of inclusivity, creativity, and excellence in children’s theatre globally.
Profile of the Candidate
With over 20 years of experience in starting and managing theatres for young audiences, I bring to the EC a deep understanding of the needs and challenges faced by the theatre community, particularly in engaging with children and young people. My founding of The Little Art, which has positively impacted over one million children in Pakistan over the past 18 years, demonstrates my commitment to promoting arts and culture among young people sustainably. The establishment of The Little Art in New Zealand in 2019 and my subsequent relocation to the country in 2023 underscore my dedication to building impactful initiatives in the arts and children’s space internationally. My training as an arts manager gives me a solid understanding of the business aspects of the arts, enabling me to support organizations across countries effectively. I am passionate about fostering collaboration and exchange among ASSITEJ National Centres and Professional Networks, ensuring diversity and inclusivity in decision-making processes. My diverse skills and unwavering dedication to the promotion of arts and culture among children and young people make me well-suited to contribute to the EC and working plan.
Theis Irgens – ASSITEJ Norway
Theis Irgens is based in Kristiansand, Norway, where he works as an artist in combination with being a project manager for ASSITEJ Norway. Puppetry, and giving life to objects, is in the core of his artistic practice – but the goal is always the same: To create a situation for people to engage in each other’s world views. Through the art collective Spektra, Theis is working with performance installations aiming to create experiences that can be shared by people with different abilities, in mutual dignity and joy. Theis has worked for ASSITEJ Norway since 2018, producing the International Norwegian ASSITEJ Festival in Kristiansand and working on lots of multinational projects and collaborations. In 2019, Theis was the producer of the ASSITEJ Artistic Gathering in Kristiansand. Since the planning of the Nordic Venue at AAG2019, Theis has been an active force in developing the Nordic-Baltic ASITEJ Network (NBAN), one of the regional ASSITEJ networks. The NBAN aims to strengthen artistic exchange and resource sharing in our region and facilitate connections between the Nordic-Baltic countries and the international ASSITEJ network.Motivation of the Candidate
I want to serve on the Executive Committee because I love to create connections across borders, practices, abilities, and other differences. I’ve experienced over and over how the incredibly strong network – that ASSITEJ is – can inspire and facilitate these connections. As an EC member I want to use my experience of organizing an ASSITEJ Artistic Gathering and working on multi-national collaborative projects. I would offer organizational support for AAG and Congress hosts, and work closely with the integration of ASSITEJ events in the hosting festival. Another motivation is to offer regional support of the Secretary General. My established connection to the Nordic and Baltic countries through the NBAN can be a good support for the Secretary General, the employees of ASSITEJ international and the EC.
Profile of the Candidate
I am an experienced festival organizer, and I have specifically organized an ASSITEJ Artistic Gathering in close collaboration with the EC. Through ASSITEJ Norway, I’ve worked with several multi-national projects. During my years in ASSITEJ Norway, I have developed skills in graphic design, web design, website building, management and productivity tools, database building and automations. I’m interested in creating and facilitating good spaces for sharing practices and building new connections. I’m interested in developing and creating effecting and engaging workflows in the huge and complex work of the international ASSITEJ, and to make sure that the work is accessible and available for ASSITEJ members around the world.
Carole Umulinga Karemera – ASSITEJ Rwanda
Carole Karemera holds a Master in Drama and Music from Conservatoire Royal de Musique (Belgium) and studied Cultural leadership at African Arts Institute (South Africa). She performed in international theater, dance, film productions directed by Peter Brook, Jacques Delcuvellerie, Raoul Peck, Wim Vandekeybus, Marion Hänsel, Felwine Sarr/Denis Mpunga. She is co-founder and Executive Director of ISHYO, one of the most dynamic Rwandan arts organizations, involved since 2007 in advocacy, capacity building, production, promotion of the Arts in the sub-region. She produces Kina Festival (International Performing Arts Festival for Young Audience), Home Sweet Home festival, co-produces the Rwanda International Literature Festival, Kuya Kwetu festival. Former positions include Deputy SG of Arterial Network, Board member of Africa World Heritage Fund and Rwanda Academy of language of culture. With 30 years of experience, Carole is a proficient arts manager, activist supporting freedom of creative expression in Africa, a IETM – Global Connector and ASSITEJ Rwanda Coordinator. In 2027, for its 20th birthday, ISHYO will launch “The Fabrik” a Premiere Arts space dedicated to young audience.Motivation of the Candidate
In 2025, ASSITEJ International will celebrate 60 years of existence, three generations of artists and cultural leaders put their talents together to develop and strengthen arts for young audience across the globe. I want to be part of the next generation of ASSITEJ leaders who will pursue the mission of the elders, build on their work, take innovative and bold turns and decisions to ensure every child’s rights to participate in culture life is fulfilled. In collaboration with experienced colleagues from all over the world, I’ll tirelessly work to ensure that the voices of the most vulnerable people are heard and that political, climate and economic injustices are creatively, constructively and critically addressed within the network, for and with both TYA practitioners/experts and the public. Sharing and caring are values that have guided me during my thirty-year career as professional artist, culture policy expert, producer and manager of a women-led organisation and I truly believe that to really create a world in common, joining all forces across all cultures is necessary in theses critical times and in this spirit of openness which has been running ASSITEJ since its creation.
Profile of the Candidate
As a professionally trained artist, I wasn’t prepared to take leading roles (out of stage or in front of the camera). The 1994 genocide in Rwanda and the political instability in the sub-region confronted me with new realities. I had to adjust and learn how to actively participate with others in the reconstruction of a nation and peace building. From “simple”performer, to advocacy leader, from creator to arts manager, producer and fundraiser, I learnt how to support the arts sector by acquiring new skills through master classes, workshops, online courses in culture policy, project management and fundraising. I’ve chosen mentors (Joy Mboya, Mike Van Graan, Felwine Sarr, etc.) and became a mentor too. I joined and extended multiple networks within and outside Africa and created my own network of professionals sharing the same vision for the creative sector. 30 years later, I deeply value the arts of collaboration, have a strong expertise in resources mobilisation, project management and partnerships development with regional & international institutions such as European Union, Agence Française de développement, French and Goethe Institutes, Unesco, African Union, La Francophonie.
Seok-hong Kim – ASSITEJ Korea
I have been passionate about the performing arts for my entire adult life, both as an arts manager and an administrator. During this time, TYA has also been an important part of my career, as I have had a deep relationship with ASSITEJ Korea, serving as a board member for international exchanges for more than a decade. Before creating my own company recently, I worked for the Korea Arts Management Service (KAMS) for a long time. KAMS is a government agency which is the most powerful organisation in Korea for promoting international cultural exchange. KAMS has been organising PAMS, the Performing Arts Market in Seoul, for almost 20 years. I served as the Director of International Exchanges and the Secretary General for 2015-2016 at KAMS. Before joining KAMS, I was in charge of programming for several years at Guro Art Valley Theatre in Seoul, Korea. I was awarded for my programming of the venue by the Korean Culture and Arts Centers Association. Additionally, I worked as a producer at the KNU, the National Conservatoire School for Drama, where I focused on connecting students with professional artists. I studied theatre and arts administration at university.
Motivation of the Candidate
I do believe in the value endorsed by ASSITEJ International: that every child and young person has the right to enjoy arts and culture. I support all efforts aimed at strengthening and expanding it by ASSITEJ International, tackling it together with its members, partners, and supporters. That’s why I want to continue to be part of ASSITEJ International. I fully aware what my missions and roles would be in ASSITEJ. The first is as a professional I should put my abilities into actual ASSITEJ projects and so as to make the association more concrete. The second would be about Asia and the Asian region. I strongly believe that there is more that can be done to expand and deepen the relationships between Asian TYA communities and those globally, as well as among Asian TYA communities themselves. I think Asia has many potential resources for TYA. If re-elected, I will dedicate myself to fostering these connections. Moreover, ASSITEJ Korea is currently aiming to host the next ASSITEJ Congress in 2027. One of the primary motivations behind hosting the Congress would be to strengthen ties between Asia and the rest of the world. I am sure that I can contribute to the success of the Congress.
Profile of the Candidate
As an EC, I have been working for Communications group (previously Publications and promotion), mainly editing the magazine articles and overseeing the WDT campaign. I have an eye for visual materials like logos, magazine design, flyers and also I can communicate well with designers. Regarding this, I have skills on; – Planning and overseeing publication – Reading, selecting and editing articles for publication – Approving a suitable designer – Proofreading – Planning a promotion for a project I have been working as an arts manager for more than twenty years, so, I have pretty much the following skills. – Planning and executing a targeted project – Planning research – Planning and running a festival – Cultural policy knowledge – Arts management knowledge
Barbara Małecka – ASSITEJ Poland
I am a theatrologist, artistic director, manager of international projects and an artist. I work at Animation Theater (one of the oldest puppet theaters in Poland, founded in 1945) as the artistic director of the international festival KONTEKSTY and project manager. I also served as deputy director from 2016 to 2018. I coordinated over 40 diverse projects – international and local – focused on children and families, including long-term projects within Creative Europe and UNICEF. I have been an active member of the Small size Network since 2013 and a board member from 2016 to 2019. I am a co-founder and board member (since 2010) of Art Fraction Foundation, an NGO that implements projects for young children, supports the development of theater for the youngest audiences and is focused on international cooperation. For 13 years I was the artistic director of the International Children’s Arts Festival “Art Seeks Toddler” (2009-2021), and now I organize the “Early Years Festival” (from 2022). As an artist, I am a stage designer creating sets and touring performances for the early years in Poland and abroad (Japan, Norway, Slovakia). More about my work: www.artfractionfoundation.comMotivation of the Candidate
I have dedicated my whole professional career to theatre for children which is my profession and passion. I understand that working for the EC is a big responsibility. A responsibility to make our voice heard. In the most difficult moments of the last three years, whenever I thought that my work did not mean much in the face of the greatest hardships and tragedies, it always turned out that the power to unite people, to bring solace, hope and smile – is actually in art. I believe that only a society built on a foundation of kindness, cooperation and mutual concern has a future and is capable of changing the world. The most important thing for me is to care for the youngest: to create the best possible conditions for their development and a safe space that respects their subjectivity. That’s why I believe in the powerful nature of theater and its ability to transform reality. I believe that thanks to international cooperation of people sharing common goals, the number of children who can benefit from this power increases. This can only be achieved by expressing strong advocacy for our sector among policymakers.
Profile of the Candidate
Over the past 15 years, I have worked – in different roles – in organizing 25 editions of various festivals. I gained experience in fundraising, planning and organizing big events, working with artists and organizations from different sectors, accounting for projects and their evaluation. As deputy director of the theater, I worked with the local government, NGO’s, the Ministry of Culture and cultural institutions. Since 2009, I have implemented over 40 (mainly international) projects for children founded by various sources: local, national, European (Creative Europe) and UNICEF. I have the experience of 10 years of artistic practice in various theaters (also abroad) and of international touring – which makes it easier for me to work with new teams. I have a experience in the field of early years theater from my own artistic practice and good knowledge of this sector as I have been observing it closely since 2009. I have been sharing this experience through lectures and master classes for artists. My diverse professional experience allows me to recognize the needs of different professional groups and navigate among them. I believe that my experience can be useful to the EC team.
Paulo Merisio – CBTIJ / ASSITEJ Brasil
I am an artist – director, actor and stage designer – and a professor at the Theatre Education Department – UNIRIO (CNPq; FAPERJ), Rio de Janeiro, Brazil. I developed a post-doctoral research at Université de Paris Ouest/Nanterre (2014) and I have some articles published and experience with editing councils at magazines and organization of books. I have been part of the ASSITEJ Taboos Workshops family since the first experience in Caracas, Venezuela, 2008 (Venezuela, 2008; Cuba and Brazil, 2010) and I have participated at the Director’s Seminar from ASSITEJ Germany (Mannheim, 2015). I am also a Member of the Board of CBTIJ / ASSITEJ Brazil and represented Brazil as a delegate at the three ASSITEJ Congresses (Poland, 2014; South Africa, 2017; Japan 2021). I am an active member at the ASSITEJ Iberoamerican Network, and I am a Board member at ITYARN (vice-chair). In 2021, I have been invited by the Executive Committee of ASSITEJ to work as a Counselor, bringing the Iberoamerican perspective and a researcher point of view for the EC meetings and work. It has been a fruitful experience that made me learn a lot about the association, its members and its functioning.Motivation of the Candidate
Since 2008, when I had the first contact with ASSITEJ International, I have participated in several meetings with artists, researchers, educators and producers who are dedicated to TYA and began to desire to contribute actively to the Association. At ASSITEJ Brazil, we think that politically it is important to have a strong representation of the Iberoamerican network at the EC, contributing with the global perspective of the Association and with our movement to consolidate existing national centers and to stimulate new countries to configure new ones. It is also important to bring our local experience with the ASSITEJ International Professional Networks to the Global Context. Being part of the EC in this term, as counselor, provided me with understanding the hard work that is done by all the members, and allowed me to understand how I can contribute with the Association. I have been very well received by the group and I think it is important to continue the complex work that is being done at the ASSITEJ structure. I hope that, due to my professional experience in research, publications and organization of scientific events, I can continue contributing at the Communication actions.
Profile of the Candidate
Communication – Due to my work at the University, I have participated in several editorial boards and events organizing commissions, in addition to the organization of some books. Within ITYARN, I worked on several scientific councils. So, as I did as Counselor at the EC during this term, I can continue contributing with the ASSITEJ communication strategy and deliverables – as the WDT; the magazine, and the newsletter. Research – As an artist and professor, I can bring the academic perspective, contributing with the aspects as dissemination of the research that have been done during this term and new ways of documentation and construction of the memory of the association; Bridges – As an active member of the Iberoamerican network, I can bring our perspective and specificities to the global context. As a member of the ITYARN board, I will be able to act as an interlocutor between the EC and ITYARN, bringing the academic perspective for the actions of the Association; Language – My mother language is Portuguese, but I can speak English, French, Spanish and Italian. So, I can contribute at many meetings and events with our big challenge about the diversity of languages.
Kentaro Miyamoto – ASSITEJ Japan
I am a researcher of drama in education and TYA. I have been engaged with ASSITEJ for 20 years. Currently I am Secretary General of ASSITEJ Japan Centre. I studied Japanese and English language education in B.Ed. program at Chiba University, Japan. I also studied drama in education for one year at University of Durham, England, with Japanese government scholarship. I continued my study in M.Ed. program at Chiba University. I also studied art education for one year at the Ontario Institute for Studies in Education of the University of Toronto (OISE/UT), Canada, with Rotary Foundation scholarship. I studied curriculum in Ph.D. program at OISE/UT, with Canadian government scholarship. I have taught English in secondary school and University for several years as a lecturer in Japan. I started my engagement with ASSITEJ as a volunteer interpreter for Mr. Fumie Naiki. I have attended in all the ASSITEJ World Congress since 2005. I translated several booklets and magazines of TYA published by ASSITEJ Japan Centre. I coordinated ASSITEJ Asian meeting in Tokyo in 2018. I also worked as an Assistant Congress Producer in ASSITEJ World Congress in Japan in 2020.
Motivation of the Candidate
I want to be involved in ASSITEJ as an EC member because I would like to pass the legacy of 2020 World Congress to next generation. I have worked as an Assistant Congress Producer for 2020. I have learned many things through the preparation. I would like to share my knowledge and experiences with hosts of next ASSITEJ Artistic Gatherings and World Congress. I also want to bring the voices of Japan and Asia to ASSITEJ community. It would be beneficial for international understanding and mutual friendship in ASSITEJ, and for development of TYA all over the world.
Profile of the Candidate
I think that my skills and interests will benefit the “Publications and Promotion” group in EC in its working plan. I am a researcher of drama in education and TYA. I coordinated ASSITEJ Magazine and ITYARN conference in 2020. I am good at writing, reading, selecting and editing articles for publication. I am also good at organizing translations of articles where necessary. I believe that I could contribute to the management of all processes towards the creation of publications by ASSITEJ.
Selloane Lalu Mokuku – ASSITEJ South Africa
I am a theatre making who is keen on ensuring that the voices of children and young people are heard in an enabling framework. I am an academic working at a university and currently serve as chairperson of ASSITEJ SA. I am also a writer and a Playback Theatre Performer.Motivation of the Candidate
I believe the policy frameworks need to be responsive and that is a quality that I would like to bring to the EC. My first year opened my eyes in terms of locally and globally being responsive. I wish to expand my experience to serve by supporting the policy framework that speak to theatre for, by, With and about children and young people.
Profile of the Candidate
I am passionate about languages and I bring that critical and advocacy voice. I am a good lister and writer and can participate in discussions objectively Policy review and writing as well as marketing.
Gonzalo Moreno – ASSITEJ Spain
Cultural manager with a degree in Art History. His work has been especially linked to the world of books and cultural communication. Since 2018 he is manager and secretary general of ASSITEJ Spain where he is in charge of project development and editorial coordination.Motivation of the Candidate
When I discovered ASSITEJ I found out the real value of the performing arts for children and youth. I realized its great potential (to do something) but also the long way we still have to go to ensure access to high-quality arts for children. ASSITEJ is a wonderful opportunity to work together —at a global level, but taking the most of the local identity of each of the countries that are part of ASSITEJ — to share experiences, knowledge and strategies to contribute to the development of the performing arts for young audiences locally and globally. We are in a moment of great possibilities, but also of big challenges. I would like to contribute to make our voice, the voice of all of us, to be heard in such a complex and heterogeneous world. From ASSITEJ Spain we have worked in recent years to develop a transformative project that allows all people, companies, theatres, festivals, playwrights, … to join us to work together for the common benefit. I would love to bring my experience as a project manager and cultural communication officer, as well as my enthusiasm for our goals, to contribute to the path towards the transforming horizon that ASSITEJ symbolizes.
Profile of the Candidate
For more than 20 years I have worked as a cultural manager in different projects. I have worked as an editor in several publishing houses, I have worked as a graphic designer, web developer, producer of musical events and in communication and sales departments of publishing houses, record labels or bookstores. Since 2015 I am manager and Secretary General of ASSITEJ Spain where, together with an amazing board of directors, we have reviewed and grown the ASSITEJ project in our country. Right now we are running a lot of different projects at national level in collaboration with public administrations and our membership is increasing every year. I believe I can contribute with all my experience to ASSITEJ’s mission.
Solange Perazzo – ATINA / ASSITEJ Argentina
Solange Perazzo is an argentinian actress, director, drama teacher, producer and story-teller. She is member of ATINA (ASSITEJ Argentina) and member of the Board of Directors since 2006 and Secretary since 2019. Since then she had an active participation in the organization of National and International Projects related to ASSITEJ International. She has been co organizer of Taboo workshops in Venezuela, Brasil, and Córdoba (Argentina) in cooperation with Nordic Countries Network, Canada and the Ibero American Network. She was co organizer of the International Researchers Forum in Buenos Aires in collaboration with ITYARN (2010 – 2023). As a member of the board , organiced two EC meetings in Buenos Aires (2006 – 2011) and 6 International Festivals. She participated in the first Next Generation Group met in Adelaide 2008 who worked together up to 2011 in Denmark. She organized different cooperative projects with other members like the staging of Finnegan Krukemeyer´s play in Buenos Aires. She was member of the Universidad Popular board, where as cultural manager, she was in charge of the Library and Theatre activities with schools, since 2021 she manages her own venue.Motivation of the Candidate
The motivations for being a member of the Executive Committee are as follows To deepen the work already being done by Ibero-American representatives in the professionalization, visibility and professional exchanges of theater makers of TYA in Ibero-America with all regions of the world. To bring closer the vision and perspective of TYA in Ibero-America and build bridges between the international networks and the local fild. Collaborate in the develop of professional exchange networks at a global level. To continue the projects in which the Iberoamerican Network and ASSITEJ International are linked, such as the Researchers Forum, the Regional Workshops, the Next Generation, etc. Finally been very active in the develope and implemnetatio of ASSITEJ Projects in Iberoamerica such as Babel.
Profile of the Candidate
Solange Perazzo has a lot of experience in international networking as she has organized forums, festivals and workshops in different countries in which professionals of different nationalities have participated. She has worked with the Iberoamerican Network, ITYARN, Next Generation, Nordic Countries. As part of the Iberoamerican Network she is committed to offer collaboration for the creation of ASSITEJ centers in countries that have not yet formed. As a cultural manager she will encourage the Iberoamerican ASSITEJ centers to propose themselves as host of different international projects in order to form international cooperation networks between different regions. She has communication skills that will allow her to promote the actions of ASSITEJ International, its projects and actions, as well as the work of the ASSITEJ networks and their work in each area. She is committed to make accessible the information circulated by ASSITEJ members to Spanish-speaking theater professionals.
Emilie Robert – ASSITEJ France
I studied marketing in a business school but never worked in business… My first job was a communication mission in the Ile de France National Orchestra (in Paris). There, I realized that performing arts were the sector where I wanted to engage my professional life in. A few years after, I moved to the south of France. First, I worked in a theater as public relation assistant. Then, I decided to put into practice some of the learnings from my studies as manager in an artistic company: I worked four years with an independent artist. In 2002, I became the financial manager of the Periscope Theatre in Nîmes, a small independent emerging theater. In 2007, I was chosen to be the new head of the theatre. Since 2013, I have been the general manager of the Théâtre Massalia in Marseille, a performing arts for young audiences organization. I was also copresident of Scènes d’enfance – ASSITEJ France during seven years, from 2017 to 2024. Since 2021, I have been a member of the Executive Committee of ASSITEJ.Motivation of the Candidate
Since 2021, I have been a member of the Executive Committee of ASSITEJ and I have been working on several topics. Among these, I have set a “Coffee sessions” program with my colleague Ernie Nolan for 3 years. I am one of the sustainability committee member as well. I have been learning and working a lot at the same time, since I have been on the EC. It is a very strong experience, that I would like to extend. These 3 years were intense as we shaped new activities, thanks to Europe Creative and our new digital work abilities. We have been more committed to access and inclusion, particularly in the advocacy work and the gatherings. We need to go further and I would like to go on.
Profile of the Candidate
I have cultural policy and project management knowledge and experience, writing and communication skills. I’m a hard worker. I like a lot working in team, with everyone in mind, and networking.
Yuck da Silva Torres Miranda – ASSITEJ Mozambique
Yuck Miranda (he/they) is a Mozambican actor and performer with work spanning film acting, theatre, music and vocal work, dance, choreographing, directing, and teaching. Uniting his versatility and experiences in documentary direction, performances centered in the body and its expression through movement, sound and pacing, and facilitation of complex dialogues, he creates works that focus on advocacy for LGBTQ+ rights, gender equality, and children’s rights. He’s gathered many practical experiences throughout his participation in internationally renowned events, and through working with the biggest theatre and dance companies in South Africa, Rwanda, Zimbabwe, Portugal, France, Norway, Sweden, Switzerland, Italy, Brazil, but never forgetting his origins and investing in the performance arts community in Mozambique. Yuck Miranda is committed to creating opportunities and elevating the theatre for young audiences in Mozambique. As Vice-President of ASSITEJ Mozambique, he has re-structured the association on a national level and ensured its renewed membership of ASSITEJ International. He also organizes the annual international theatre festival Othwela for young audiences in Maputo.Motivation of the Candidate
My real motivation to be an EC member comes from my desire to see more national centres join ASSITEJ International. I’m talking specifically about centres that were part of it at one time and then fell apart and lost their contact network. But I’m also talking about those countries that have little information about this great platform. I see myself on the Executive Committee with the task of opening more national centres within my continent, but also outside of it. I see myself with the responsibility of establishing a Lusophone network connecting Europe, Africa, America and Asia, to create a more solid movement. I realise in my holistic view that the world is sick because children and young people are being killed in all sorts of ways all over the world. I see myself advocating for the rights of all young people in their different contexts, bringing deeper reflections and provocations so that we can create new narratives for future generations. I see ASSITEJ International as a portal that provides opportunities and strength, nurtured by specific methodologies in line with human rights policies. And the brilliant thing is that we use art for this, which is a place of freedom.
Profile of the Candidate
One of my greatest skills, which is very visible in my work, is my ability to network using my originality as a human being. I always had difficulties at first because of the language, but I always overcame them. Without a very clear language, I’ve connected with artists, institutions and politicians from all over the world and we’ve developed projects and partnerships. Another advantage of being an expert in networking is that I have access to the various funds of European institutions and those of other continents and have had the privilege of benefiting from them with great success. This has also given me an insight into how the fundraising and procedures of these funds work, as well as their specific language. I’ve also learnt in the process to look at small opportunities and to have a more visionary eye in order to make big projects happen in the long term. In doing so, I never forget to have a clinical eye in order to understand the problems and challenges that a particular group or institution is facing, in order to strategically plan how they can succeed.
Bebê de Soares – Young Dance Network
After a career in dance, Bebê de Soares started to work in 1994 as an actress, director, and producer. She co-founded T4G – Teatro 4Garoupas with the Austrian director Arno Kleinofen. Their collaboration was awarded and critically acclaimed in Brazil and Germany. T4G is currently expanding its profile as a company that produces dance as well as theater pieces. Intercultural and intercontinental work has been in the group’s DNA since its inception. In 2002 she created the AMAZONAS NETWORK – a platform creating projects that promote international exchange in the field of performing arts for young audiences, sharing her deep knowledge in this field, both from the perspective of the organizer / director of the festivals and from the perspective of the artist. Since 2017, she has been a member of the Executive Committee of ASSITEJ International and since 2021 one of the Vice Presidents of the association. In February 2019, she moved back to Hürth, Germany, after eight years in Santiago, Chile. Since 2022 T4G is bringing productions to rural regions in Germany as part of the PERFORM EUROPE and SPARSE+ European projects.
Motivation of the Candidate
I am candidating for a 3rd period in the Executive Committee. I go on believing in the absolute necessity to connect PYA internationally and to further work on the EC would resonate with my commitment to look for real diversity in our international stages, bringing every perspective and every voice around the globe. I will go on advocating for the need of equity of opportunity for the global south through language and mobility specially. I have observed with great interest in the past years the rise of dance work for young audiences and the growing presence in the internacional platforms and ASSITEJ itself of professionals in this field. As someone who invests greatly in the international ecosystem, it was always clear to me that dance has a special place when we speak about internacional collaborations. To be part of the EC representing YDN includes representing all networks – I feel I can bring to the table my years of experience in the field of networking itself. I am deeply grateful to the YDN to let me express the important link I have towards such an amazing art form that it is Dance.
Profile of the Candidate
Cultural policy – I have worked in the past 20 years researching international cultural policies abroad to bring work to Latinamerica. I have worked as international advisor for several festivals globally in the past years and represented ASSITEJ in European context. Arts management – I offer a deep knowledge of international cultural exchange in TYA, both from the perspective of the organiser/director of festivals and from the perspective of artists. Due to my work as an agent I have knowledge of the South and North American markets besides having organized numerous tours and projects in Asia. Communication skills – I regularly present keynotes, participate in discussions and seminars, write articles about international exchange in TYA. My mother language is Portuguese and I speak fluently, read and write in English, German, French and Spanish. This is highly helpful for the understanding and comunication when doing international, intercultural work, also translating. Funding – I have researched and connected with professionals involved in institutional funding with a focus on international mobility. I have experience detecting opportunities and creating international projects.
Stavros Stavrou – ASSITEJ Cyprus
Born in 1988, Stavros Stavrou is a writer, cultural manager, producer and President of ASSITEJ Cyprus. He holds a BA degree in Greek Literature, as well as an MA degree in Arts Management and Cultural Policy, both from King’s College London. As a lyrics-writer, he has extensively worked in the Greek music industry. Since 2012, he has worked in the theatre industry as writer and producer, collaborating with the National Theatres of Greece and Cyprus, as well as many other companies. He has also worked in the field of TYA as a producer, with his shows touring internationally. His production “Antigone” (2023), was the first “green” show in Cyprus. From 2020 to 2023 he was a member of the theatre funding committee in Cyprus. As a project manager, he has worked on numerous cultural projects. He has also released four books. He is the President of the Association for People with Mental Disability and a member of the Cyprus Centre of the ITI. Apart from being the founder and President of ASSITEJ Cyprus, he is active in the Small Countries Network, while he recently became an IIAN Board member. In 2023 he was nominated as Man of the Year in Cyprus, in the Culture category.
Motivation of the Candidate
ASSITEJ Cyprus became a member of ASSITEJ in 2021, a few days before the World Congress in Japan. Looking back, I could have never imagined how ASSITEJ would change my life in the following years. Feeling grateful for everything offered to me, I feel that this is the time to give back to the Association. I come from a country which is divided and much of my work has focused on using culture to bring its ethnic communities together. My country is also a crossroads between three continents; a part of the world recently wounded by the horror of war. I believe that in this fragile world, theatre has the power to build bridges; to transform; to inspire. Holding the values of ASSITEJ highly, I will work hard to support the Association in its work to ensure that every child has access to culture; that every child can have its voice heard. I am also committed in working for the development of TYA and advocating for a more inclusive and sustainable sector. With international collaboration as our tool, sharing and learning from each other is central. We all know that theatre cannot change the world. It has, though, the power to make us re-imagine the world; and that is the first step…
Profile of the Candidate
Being both an artist and a cultural manager, has helped me look at the performing arts sector from different perspectives. I believe that my academic and practical background in arts management and cultural policy, as well as my experience in international collaboration and networking could be helpful for ASSITEJ. As the first President of ASSITEJ Cyprus, with my team I built the organization from scratch, developing it into a vibrant National Centre. In this process, financial constraints meant that we had to come up with innovative ideas and think outside the box. This journey, I believe, has given me the administrative skills and the experience required for such a role. Besides ASSITEJ, I have served as member of various boards of cultural organizations. During my career, I have also led projects involving communication strategy building, fundraising and proposal writing. I am also a team player and I believe that this is essential for a role like this. As a professional writer, my writing skills could also be an asset, while my experience in inclusive and “green” theatre can help ASSITEJ in its effort to become more inclusive and more sustainable in the years to come.